这或许始于神不知道怎样说话的怀疑，我们并不感到恐惧因为我们受到一个谜一样东西的威胁，而且也会梦到谜一样的东西来解释我们感受到的恐惧。如果是这样，秦汉以前所织成的那夜那梦的布匹的恍惚、得意、警示、威胁和喜气洋洋，又在西汉被戴圣编篡，东汉又被郑玄注脚，之后再被肢解交叉出无数条涓涓溪流，无论汗的郑玄，宋的程朱，明的王受仁，清的颜元；那我将尝试这一册流水帐。或许照相机的发明就可以在单一场景构成的这个事实改变或缓解这个根本的困境。日落时分，在哲学家的脑袋里，一切都有点不同，就像通常在梦里一般，轻微的放大就改变了事物。所以，大约在九百年以前的某一天，也是在日落时分，宋徽宗赵佶果断地把研究儒家经典的书院由原来排行第一改为了第二，这样画院就成了第一。所以，可敬的罗兰·巴特又在八百多年以后，在他的最后一本书里，不断地强调“刺点”的意义，这一符号学语言环绕种种意象比喻，细腻无比地描述“难以言语”的额外之物，难以进入明确意义系统的扰人明确存在。或者“刺点”干脆成为图像特有的一种观注点；或者“刺点”为图像中的一个细节，镜框纳入的空间实物，触动观者的情感欲望、想像、回忆都将时间性注入图像中；因为存在而使图像打破了死一般沉寂和平板。所以我掏出沉重的左轮手枪并愉快地杀掉了我们的沉重的历史。
Observing Nature Seeking Truth

By Hong Lei      

This may begin from the doubt that the God didn't know how to speak. We didn' t fell any fear because we endured the kind of threat like a mystery. And we also dreamed the thing like the mystery explaining the threat we eudured. If things are like that, the trance, proud, warning. Threatening and the full joy of the dreamy and dark cloth weaving before Qin and Han Dynasty, edited by Dai Sheng of Western Han Dynasty and noted by Zhen Xun of Eastern Han dynasty. Then dismembered and intersected into many streams. Whatever Zhen of Han, Chen and Zhu of Song. Wang Shouren of Ming. YanYuan of Qing. I would try this day-to-day account. Maybe the invention of the camera forming a single scene would change and mitigate these essential straits. In the sunset. In the philosopher's mind, everything is a little bit different, just like a dream. A little enlargement can change everything. So, one day 900 years ago, also at sun set, Zhao Jie , the emperor of the Northern Song Dynasty resolutely changed the order of the school of the classic Confucian learning from No.1 to No.2, and the school of painting became No.1. So, the French man Roland Barthes emphasized the meaning of ' thorn point' continuously in his last book 800 years later. This symbolic language circled kinds of image analogy, and very carefully described the difficulty in expressing additional objective, and the confusing exact existence, which was not easy to fit in the exact meaning system. Maybe 'thorn point' could become the special visual angle of image, or it was the detail of the image, the spatial objective of the frame, and could touch the viewer's emotional desire, imagination and recollections, and put time into image. Because existence damaged the deadly silence and flatness of the image, so I drew a heavy pistol and killed our heavy history without regret.

Translated by Ji Yaming