威尼斯双年展、巴塞尔艺术博览会、卡塞尔文献展就像三面艺术旗帜在欧洲的夏日里猎猎飘扬，招引着无数艺术界人士不远万里前往。对这三大展览盛事及同时发生在欧洲的其他展览的学术意义、展览方式等的质疑和探讨成为艺术圈喋喋不休的话题。《今日美术》特辟专版专题邀请著名批评家、策展人朱其、舒阳、张奇开，并特别邀请与卡塞尔文献展有极大瓜葛的著名收藏家乌里•西克等人撰文，本刊主编王宝菊也参与其中，对当今世界重要展览的学术理念和艺术现状及未来的走向提出讨论，从而为中国当代艺术的生态、艺术家的创作及艺术展览的举办提供我们可资参考的正面教材和反面样本。
Editor's Note
The VENICE BIENNALE, the ART BASEL and the DOCUMENTA in KASSEL are three banners that flutter during the European summer. They attracted many artists hailing from afar. The world art circles responded to talk about the academic significance of the three and other exhibitions held in Europe at the same time, voiced criticism about the way the exhibitions were held, and probed possible future events. Our Art Today publications has special columns for invited noted art reviewers and curators, such as Zhu Qi, Shu Yang and Zhang Qikai, as well as specially invited noted Swiss collector Uli Sigg who was involved in the holding of the DOCUMENTA in KASSEL, Wang Baoju, editor-in-chief of Art Today Publications has also written an article, to discuss academic theories on major world exhibitions and the status quo and future of art. These serve as success stories and failure lessons for modern Chinese artists to learn from.

泰国艺术家 Sakarin Krue-on 行为