纵观此次欧洲三大展（布拉格双年展、卡塞尔文献展、威尼斯双年展），艺术的商业化已经成为世界性潮流。这种现象意味着艺术收藏体制超越学术批评和观众的需要而胜出，意味着资本的胜利。艺术作为文化先锋的现代主义时代似乎已经成为了历史。也许处在全球化过程中，注重视觉效果的浅显作品更容易被接受。

By observing the three European artistic exhibitions (PRAGUE BIENNIAL, DOCUMENTA 12 in KASSEL and 52nd VENICE BIENNIAL), we can tell that the commercialization of art has become a global trend. This phenomenon means the system of art collection has gone beyond art criticism and audience’s demand. This is the triumph of capital. The era of modernism in which art is the cultural avant-garde has passed into history. In the process of globalization, perhaps, plain works which focuses on visual effect is easier to be accepted by the public.